One of the many unique features/characteristics of Lecce is its dramatic architecture.  Every where you look–and you must look every where–your gaze will be met with rich Baroque ornamentation.

Lecce is often referred to as the “Florence of the South” but it it is truly unique and really cannot be compared to any place you have ever been. This is due to the distinctive nature of the very stone from which this celebration of Baroque evolved. It’s called Pietra Leccese…and, to this day, Lecce stone is quarried and carved…

Allow me to introduce you to Massimo, a modern day master sculptor at his Pietra Leccese workshop outside Lecce…

Leccese Baroque

Wandering along the spacious pedestrian thoroughfares in Lecce’s historical town center,one can’t help but notice the rich Baroque ornamentation that defines the architectural personality of Lecce. Literally everywhere you look, you are greeted facades of cathedrals, basilicas, monasteries, public and civic buildings, palazzi, and balconies elaborately adorned in Leccese Baroque. And then there are the interiors…

Mythical creatures, gaily frolicking and dancing angels, symbolic and allegorical historic figures, and garlands of ripe fruit and blossoming flora extravagantly decorate and embellish exteriors and interiors resulting in an ambiance of celebration and festivity.

Pietra Leccese

Pietra Leccese belongs to the limestone family but it is called Lecce stone because it is found primarily here in the Salento region around Lecce where it is quarried from nearby underground pits (la Pietra di Cursi).

Over millions of years, geologically speaking, this area was once under the sea so when you look closely you will often find the remnants of shells, bones and fossils preserved in the stone.

Due to its inherently soft and yielding nature, it had lent itself to being elaborately chiseled and sculpted. And so it was!

Over time, Pietra Leccese  changes with age and exposure to the elements. The original color, which can range from yellow to gray and white may take on a mellow, buttery amber or honey colored hue. Also, over time, the stone will strengthen and harden.

Today we will visit the workshop of a modern-day master artisan dedicated to practicing and preserving a traditional Salento craft…  

May I introduce you to Massimo Miglietta…

Massimo began his studies as an artist at a special institute in Lecce. He started out studying painting but found that his true passion was for sculpting.

Practicing 20 years, he creates in his workshop and has no store or gallery. Commissioned by private clients, he sells by reputation, referral and at special exhibits.

Massimo personally chooses each piece for every sculpture, going to the quarry to choose the size and color for each project.

He generously shares his creative process showing us an impressive portfolio of detailed drawings and blueprints which, after approval from the client for commissioned pieces, are then turned into patterns to be transferred onto hand picked pieces of stone.

As we “ooooh” and “ahhh” he is modest but pleased at our appreciation for his work.

The stone is chosen and then, using the tools of the trade and 20 years of expertise…the image emerges and is brought to life…

From small statuettes and decorative items to statement pieces, every sculpture is a reflection of Massimo’s love for his work.

Influenced by the surroundings of the beautiful Salento area, and driven by love and passion for his craft and this place, this modest master carries on a rich legacy, a legacy carved in Pietra Leccese.

One of my favorite things to do in my travels is to meet local artisans. Meeting Massimo and now sharing his talent and work with you is very gratifying. Won’t you share your thoughts and impressions with me?

I hope that you will consider joining me on future trips and enjoy these unique and enriching experiences for yourself…it’s just a click away…

Won’t you join me in 2017?

Highlights of YOUR All-Inclusive, Authentic & Affordable Experience!

NEW Spring 2017 Dates:

Registration Details: May 26 – June 4